• What does it really mean to play the guitar by ear? Find out on page 7
• Why visualising an interval is so impoertant - and why you need to do it with AND without the guitar. (If you do only one of these, you won't have the complete picture, and you'll never have true mastery. But you can learn how to do both on page 12)
• Why you should never talk about 'acquiring' a good ear. This mistake can set even the most dedicated guitarist back YEARS in his or her playing. Find out more on page 5
• The simple solution to hearing everything from chord progressions to melodies - start hearning sequences. Learn how to practise this on page 10
• There are 4 skills every guitarist needs to have a solid musical ear. The good news is, you can train them all, even if you're useless at them now. Find out more on page 7
• 'Modality' is just a fancy word for know whether a melody is major or minor. But whatever you call it, mastering modality is crucial to good ear training. I teach you the secrets on pages 14-16
• Did you know that it's easier to learn melodies by playing power chords than by playing the actual melodies? Learn more on page 13
• Get hip to the 3 reasons your ear training should always start with harmony - not melody - on page 8
• Learn the 2 steps to hardwiring your brain to hear sequences and harmony on pages 8-10
• Why you should never think of note or chord names… and what to do instead (page 9)
• A fun way to improve your ear without a guitar. Check it out on point number 5 on page 10
• The 'Happy Birthday test' to prove whether you have ear training talent or not. See pages 5-6
• The 5-step process to boosting your chops when it comes ot hearing, learning, lor playing any song - by ear. Page 10
• Why perfect pitch isn’t helpful, and what you should be learning instead. Page 5
• A quick mental technique to see links between every song you ever hear. Page 8
• How to turn the 'boring' practice of tuning your guitar into an unbelievable ear training process - see page 13 for more details.